Script Ideas – Tip #2
Tip #2 – Find an idea that is vibrating with originality.
You’ve heard it said that any idea you come up with has already been thought of and done. That’s true. But, you can take any idea – even one that has been worked to death, and put a spin on it to change it into something original and interesting. Something the same, but different and exciting.
While I’m on the subject of ‘same but different’ I’d like to make a suggestion. The people who will be buying your script are not interested in producing a film that is totally off-the-wall and different from the usual Hollywood fare – especially if it is written by an unknown screenwriter. Those kinds of films are only accepted and produced if you are well-known, like Woody Allen. It’s too much of a risk for failure and money loss.
Sticking with a screenplay that touches on subjects people are familiar with are much easier to sell. But, you need to take those well-worn ideas and put an original spin on them. And I mean a nice, big, interesting spin – not just little tweaks here and there.
Spend time bouncing your idea on its head, turning it inside out, twisting it around to make it more interesting. Ask yourself questions about your idea:
- What can I do to make this better?
- Is this like another movie I saw?
- Is there something here we’ve never seen?
- Why will anyone care about this story?
- Is this something people will be busting to tell their friends?
- Will it force a strong emotional reaction?
- Have I seen it before?
- How have I turned the genre on its head?
- What can I do to make it cooler?
- Am I just rehashing somebody else’s movie?
- Is there a piece of my soul here?
- How can I take this idea and explode it into something amazing?
- What parts are going to make my screenplay sell?
- Do I have explosions, or steamy romance, or some other exciting action that can be shown in the movie trailer?
Ask yourself which ground-breaking scenes you remember from movies – and then create some that work strongly for your story. Following are some examples of those kinds of scenes…
- The food fight in Animal House.
- When Bambi’s mother dies.
- In Pulp Fiction, when Samuel Jackson recites the Bible verses and then kills the drug dealers.
- In Lawrence of Arabia, when Lawrence has to kill Gasim, the mane he saved in the desert.
- In Crash, when the cop rescues the woman, he’d molested earlier, from a burning car.
You get the idea.
Just think of movies you’ve watched and the scenes that have really stuck in your head. Then, ask yourself, why are those scenes so memorable? What emotional cords do they pluck for me and why? Once you have the answers to those questions you can go on to create some ground-breaking scenes for your own script. Scenes which will stick in the minds and hearts of the script readers and get your screenplay sold.
Yesterday, during a lull at my job, I went surfing for a list of ‘best movies’ and came across of 101 movies which the Writer’s Guild West had compiled. Most of those movies I’d seen at some point in my life but as a ‘watcher’, not as a movie analyzer.
So, I went through the whole list and added them to my Netflix que. I intend to watch them all in my spare time, but this time with an eye for analyzing what makes them so great that they made the 101 Best Movies list.
Here’s that list for anyone who is interested…
| 1. | CASABLANCA Screenplay by Julius J. & Philip G. Epstein and Howard Koch. Based on the play “Everybody Comes to Rick’s” by Murray Burnett and Joan Alison FACTS ABOUT THE FILM |
| 2. | THE GODFATHER Screenplay by Mario Puzo and Francis Ford Coppola. Based on the novel by Mario Puzo FACTS ABOUT THE FILM |
| 3. | CHINATOWN Written by Robert Towne FACTS ABOUT THE FILM |
| 4. | CITIZEN KANE Written by Herman Mankiewicz and Orson Welles FACTS ABOUT THE FILM |
| 5. | ALL ABOUT EVE Screenplay by Joseph L. Mankiewicz. Based on “The Wisdom of Eve,” a short story and radio play by Mary Orr FACTS ABOUT THE FILM |
| 6. | ANNIE HALL Written by Woody Allen and Marshall Brickman FACTS ABOUT THE FILM |
| 7. | SUNSET BLVD. Written by Charles Brackett & Billy Wilder and D.M. Marshman, Jr. FACTS ABOUT THE FILM |
| 8. | NETWORK Written by Paddy Chayefsky FACTS ABOUT THE FILM |
| 9. | SOME LIKE IT HOT Screenplay by Billy Wilder & I.A.L. Diamond. Based on “Fanfare of Love,” a German film written by Robert Thoeren and M. Logan FACTS ABOUT THE FILM |
| 10. | THE GODFATHER II Screenplay by Francis Ford Coppola and Mario Puzo. Based on Mario Puzo’s novel “The Godfather” FACTS ABOUT THE FILM |
| 11. | BUTCH CASSIDY AND THE SUNDANCE KID Written by William Goldman |
| 12. | DR. STRANGELOVE Screenplay by Stanley Kubrick and Peter George and Terry Southern. Based on novel “Red Alert” by Peter George |
| 13. | THE GRADUATE Screenplay by Calder Willingham and Buck Henry. Based on the novel by Charles Webb |
| 14. | LAWRENCE OF ARABIA Screenplay by Robert Bolt and Michael Wilson. Based on the life and writings of Col. T.E. Lawrence |
| 15. | THE APARTMENT Written by Billy Wilder & I.A.L. Diamond |
| 16. | PULP FICTION Written by Quentin Tarantino. Stories by Quentin Tarantino & Roger Avary |
| 17. | TOOTSIE Screenplay by Larry Gelbart and Murray Schisgal. Story by Don McGuire and Larry Gelbart |
| 18. | ON THE WATERFRONT Screen Story and Screenplay by Budd Schulberg. Based on “Crime on the Waterfront” articles by Malcolm Johnson |
| 19. | TO KILL A MOCKINGBIRD Screenplay by Horton Foote. Based on the novel by Harper Lee |
| 20. | IT’S A WONDERFUL LIFE Screenplay by Frances Goodrich & Albert Hackett & Frank Capra. Based on short story “The Greatest Gift” by Philip Van Doren Stern. Contributions to screenplay Michael Wilson and Jo Swerling |
| 21. | NORTH BY NORTHWEST Written by Ernest Lehman |
| 22. | THE SHAWSHANK REDEMPTION Screenplay by Frank Darabont. Based on the short story “Rita Hayworth and the Shawshank Redemption” by Stephen King |
| 23. | GONE WITH THE WIND Screenplay by Sidney Howard. Based on the novel by Margaret Mitchell |
| 24. | ETERNAL SUNSHINE OF THE SPOTLESS MIND Screenplay by Charlie Kaufman. Story by Charlie Kaufman & Michel Gondry & Pierre Bismuth |
| 25. | THE WIZARD OF OZ Screenplay by Noel Langley and Florence Ryerson and Edgar Allan Woolf Adaptation by Noel Langley. Based on the novel by L. Frank Baum |
| 26. | DOUBLE INDEMNITY Screenplay by Billy Wilder and Raymond Chandler. Based on the novel by James M. Cain |
| 27. | GROUNDHOG DAY Screenplay by Danny Rubin and Harold Ramis. Story by Danny Rubin |
| 28. | SHAKESPEARE IN LOVE Written by Marc Norman and Tom Stoppard |
| 29. | SULLIVAN’S TRAVELS Written by Preston Sturges |
| 30. | UNFORGIVEN Written by David Webb Peoples |
| 31. | HIS GIRL FRIDAY Screenplay by Charles Lederer. Based on the play “The Front Page” by Ben Hecht & Charles MacArthur |
| 32. | FARGO Written by Joel Coen & Ethan Coen |
| 33. | THE THIRD MAN Screenplay by Graham Greene. Story by Graham Greene. Based on the short story by Graham Greene |
| 34. | THE SWEET SMELL OF SUCCESS Screenplay by Clifford Odets and Ernest Lehman. From a novelette by Ernest Lehman |
| 35. | THE USUAL SUSPECTS Written by Christopher McQuarrie |
| 36. | MIDNIGHT COWBOY Screenplay by Waldo Salt. Based on the novel by James Leo Herlihy |
| 37. | THE PHILADELPHIA STORY Screenplay by Donald Ogden Stewart. Based on the play by Philip Barry |
| 38. | AMERICAN BEAUTY Written by Alan Ball |
| 39. | THE STING Written by David S. Ward |
| 40. | WHEN HARRY MET SALLY Written by Nora Ephron |
| 41. | GOODFELLAS Screenplay by Nicholas Pileggi & Martin Scorsese. Based on book “Wise Guy” by Nicholas Pileggi |
| 42. | RAIDERS OF THE LOST ARK Screenplay by Lawrence Kasdan. Story by George Lucas and Philip Kaufman |
| 43. | TAXI DRIVER Written by Paul Schrader |
| 44. | THE BEST YEARS OF OUR LIVES Screenplay by Robert E. Sherwood. Based on novel “Glory For Me” by MacKinley Kantor |
| 45. | ONE FLEW OVER THE CUCKOO’S NEST Screenplay by Lawrence Hauben and Bo Goldman. Based on the novel by Ken Kesey |
| 46. | THE TREASURE OF THE SIERRA MADRE Screenplay by John Huston. Based on the novel by B. Traven |
| 47. | THE MALTESE FALCON Screenplay by John Huston. Based on the novel by Dashiell Hammett |
| 48. | THE BRIDGE ON THE RIVER KWAI Screenplay by Carl Foreman and Michael Wilson. Based on the novel by Pierre Boulle |
| 49. | SCHINDLER’S LIST Screenplay by Steven Zaillian. Based on the novel by Thomas Keneally |
| 50. | THE SIXTH SENSE Written by M. Night Shyamalan |
| 51. | BROADCAST NEWS Written by James L. Brooks |
| 52. | THE LADY EVE Screenplay by Preston Sturges. Story by Monckton Hoffe |
| 53. | ALL THE PRESIDENT’S MEN Screenplay by William Goldman. Based on the book by Carl Bernstein & Bob Woodward |
| 54. | MANHATTAN Written by Woody Allen & Marshall Brickman |
| 55. | APOCALYPSE NOW Written by John Milius and Francis Coppola. Narration by Michael Herr |
| 56. | BACK TO THE FUTURE Written by Robert Zemeckis & Bob Gale |
| 57. | CRIMES AND MISDEMEANORS Written by Woody Allen |
| 58. | ORDINARY PEOPLE Screenplay by Alvin Sargent. Based on the novel by Judith Guest |
| 59. | IT HAPPENED ONE NIGHT Screenplay by Robert Riskin. Based on the story “Night Bus” by Samuel Hopkins Adams |
| 60. | L.A. CONFIDENTIAL Screenplay by Brian Helgeland & Curtis Hanson. Based on the novel by James Ellroy |
| 61. | THE SILENCE OF THE LAMBS Screenplay by Ted Tally. Based on the novel by Thomas Harris |
| 62. | MOONSTRUCK Written by John Patrick Shanley |
| 63. | JAWS Screenplay by Peter Benchley and Carl Gottlieb. Based on the novel by Peter Benchley |
| 64. | TERMS OF ENDEARMENT Screenplay by James L. Brooks. Based on the novel by Larry McMurtry |
| 65. | SINGIN’ IN THE RAIN Screen Story and Screenplay by Betty Comden & Adolph Green. Based on the song by Arthur Freed and Nacio Herb Brown |
| 66. | JERRY MAGUIRE Written by Cameron Crowe |
| 67. | E.T. THE EXTRA-TERRESTRIAL Written by Melissa Mathison |
| 68. | STAR WARS Written by George Lucas |
| 69. | DOG DAY AFTERNOON Screenplay by Frank Pierson. Based on a magazine article by P.F. Kluge and Thomas Moore |
| 70. | THE AFRICAN QUEEN Screenplay by James Agee and John Huston. Based on the novel by C.S. Forester |
| 71. | THE LION IN WINTER Screenplay by James Goldman. Based on the play by James Goldman |
| 72. | THELMA & LOUISE Written by Callie Khouri |
| 73. | AMADEUS Screenplay by Peter Shaffer. Based on his play |
| 74. | BEING JOHN MALKOVICH Written by Charlie Kaufman |
| 75. | HIGH NOON Screenplay by Carl Foreman. Based on short story “The Tin Star” by John W. Cunningham |
| 76. | RAGING BULL Screenplay by Paul Schrader and Mardik Martin. Based on the book by Jake La Motta with Joseph Carter and Peter Savage |
| 77. | ADAPTATION Screenplay by Charlie Kaufman and Donald Kaufman. Based on the book “The Orchid Thief” by Susan Orlean |
| 78. | ROCKY Written by Sylvester Stallone |
| 79. | THE PRODUCERS Written by Mel Brooks |
| 80. | WITNESS Screenplay by Earl W. Wallace & William Kelley. Story by William Kelley and Pamela Wallace & Earl W. Wallace |
| 81. | BEING THERE Screenplay by Jerzy Kosinski. Inspired by the novel by Jerzy Kosinski |
| 82. | COOL HAND LUKE Screenplay by Donn Pearce and Frank Pierson. Based on the novel by Donn Pearce |
| 83. | REAR WINDOW Screenplay by John Michael Hayes. Based on the short story by Cornell Woolrich |
| 84. | THE PRINCESS BRIDE Screenplay by William Goldman. Based on his novel |
| 85. | LA GRANDE ILLUSION Written by Jean Renoir and Charles Spaak |
| 86. | HAROLD & MAUDE Written by Colin Higgins |
| 87. | 8 1/2 Screenplay by Federico Fellini, Tullio Pinelli, Ennio Flaiano, Brunello Rond. Story by Fellini, Flaiano |
| 88. | FIELD OF DREAMS Screenplay by Phil Alden Robinson. Based on the book by W.P. Kinsella |
| 89. | FORREST GUMP Screenplay by Eric Roth. Based on the novel by Winston Groom |
| 90. | SIDEWAYS Screenplay by Alexander Payne & Jim Taylor. Based on the novel by Rex Pickett |
| 91. | THE VERDICT Screenplay by David Mamet. Based on the novel by Barry Reed |
| 92. | PSYCHO Screenplay by Joseph Stefano. Based on the novel by Robert Bloch |
| 93. | DO THE RIGHT THING Written by Spike Lee |
| 94. | PATTON Screen Story and Screenplay by Francis Ford Coppola and Edmund H. North. Based on “A Soldier’s Story” by Omar H. Bradley and “Patton: Ordeal and Triumph” by Ladislas Farago |
| 95. | HANNAH AND HER SISTERS Written by Woody Allen |
| 96. | THE HUSTLER Screenplay by Sidney Carroll & Robert Rossen. Based on the novel by Walter Tevis |
| 97. | THE SEARCHERS Screenplay by Frank S. Nugent. Based on the novel by Alan Le May |
| 98. | THE GRAPES OF WRATH Screenplay by Nunnally Johnson. Based on the novel by John Steinbeck |
| 99. | THE WILD BUNCH Screenplay by Walon Green and Sam Peckinpah. Story by Walon Green and Roy Sickner |
| 100. | MEMENTO Screenplay by Christopher Nolan. Based on the short story “Memento Mori” by Jonathan Nolan |
| 101. | NOTORIOUS Written by Ben Hecht |
I actually downloaded the script for Casablanca yesterday, read it at work, and then watched the movie last night – it was a free, ‘watch now’ movie on Netflix. God, I love instant gratification!
Embarrassingly, I’ve never watched Casablanca and thought, “What can a 1942 black and white move show me?” But, looking at it with a screenwriter’s eye, I was amazed at the filming techniques and the intricasies of the script writing. The dialogue was written differently than it is today – much less slang, but all of the script writing rules used today were present in that film. And, the romance was palpable and exciting.
Casablanca was definitely worth the watch and I’m looking forward to going through the rest of the list at my leisure.
God, I love watching movies and living in a fantasy world when I’m working on a screenplay!
Script Girrl

{ 1 comment… read it below or add one }
Hi,
I watched Cassablanca a couple of years ago…it is amazing how films of that era can witstand till today, it is atrue classic!
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